What Gone Girl taught me about picking genres
Hi Reader I obsessed over picking the right genre for a few years. Should I write science-fiction, thrillers, mysteries, non-fiction, dystopian horrorâŚ? Do I even need to pick a genre? The answer was a resounding YES. Genre is a helpful constraint for writers and their audiences. Try and self-publish a book on Amazon KDP and theyâll force you to pick two or three genres before it goes live. You must pick something that defines your work. Selecting a genre doesnât mean producing something bland, boring, and generic. Understanding the conventions of a genre gives you confines to work within. If youâre writing a thriller, someone must die. If youâre writing science fiction, something fantastical must happen. Itâs easier to write if you know what readers expect from a genre too. Picking a genre signals to readers what theyâre in for. If you leave a convention out, you risk confusing readers and even attracting bad reviews. I enjoy reading science fiction, literary fiction, and autobiographies. (I donât write in these genres, though.) Through writing, I discovered that I like writing books in these genres: business, personal development, memoir, and entrepreneurship. I got to work figuring out the conventions of each of these genres. Now, if I bought a book labelled as science-fiction and the author recounted the life of William Churchill, Iâd feel short-changed. Gone Girl is one of my favorite books and movies. Here she is on the conventions of a thriller book: âA great thriller, to me, is more about creating a sense of unease: a queasiness that comes with knowing something is not quite right.â Flynn crosses a few genres, including mystery, noir, and suspense. She mastered one genre and moved neatly to the next without shortchanging her readers. Once you know what youâre doing, you can combine the conventions of different genres like Flynn. Thatâs often where the magic happens. I published an article detailing the most popular types of genre. Check it out. Write on, |